RadioClassics

Suspense debuted on June 17, 1942 as a sustaining summer replacement, returned that fall and continued in the CBS lineup September 30, 1962. "Radio's outstanding theatre of thrills" is recognized as one of the finest dramatic series in the history of broadcasting.

Inner Sanctum's sinister host welcomed listeners "through the squeaking door to another night of horror." The show’s "squeaking door" was one of radio’s most-remembered openings and was inspired by the creaking hinges on a sound effects door at the radio studio.

Mayor Of The Town

Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent... One of the most popular police dramas in the history of broadcasting, Dragnet aired on NBC Radio from June 10, 1949 through February 7, 1957 and on television from 1952-59 and 1967-72. Dragnet introduced a new era of documentary-style realism.

Broadway Is My Beat debuted over CBS on February 27, 1949 and continued through August 1, 1954. Anthony Ross starred as Clover during the first two seasons, with Thor taking over the role on July 3, 1950. Homicide detective Clover pounded the Broadway beat for five years in one of radio's last great detective series.

This CBS cop procedural pulls back the curtain on crime fighting in San Francisco. The Shadow's Bill Johnstone starred as cool-mannered Lt. Ben Guthrie, foil to hot-tempered Sgt. Matt Grebb. Director Elliot Lewis was one of the busiest men in radio, having a hand in the Phil Harris & Alice Faye Show, Suspense, Broadway Is My Beat, and many more.

This police procedural series was syndicated on NBC stations in 1932. It features quarter-hour stories typically based on true crimes.

Radio Spirits' nationally syndicated radio program hosted by old-time radio expert Greg Bell

The whole drama of life is written in the sands of time. William Conrad narrates tales of mystery starring Cathy and Elliott Lewis, "the airwaves' most distinguished acting couple." The Clock was produced and directed by William Spier of radio's legendary series Suspense. It aired on ABC from November 3, 1946 - May 23, 1948.

An hour-long radio program written by Norman Corwin, We Hold These Truths aired on the 150th anniversary of the ratification of the U.S. Bill of Rights, a week after the bombing of Pearl Harbor on 12/15/1941.

This series consisted of 15-minute episodes about true historical adventures in the American West. Some of the stories include Lewis & Clark, the Oregon boundary dispute, and the purchase of Alaska. The original broadcast dates for Frontier Fighters are still unclear; the series ran sometime during the 1930s.

Lights Out debuted January 1, 1934 over Chicago’s WENR and moved onto the NBC airwaves beginning April 17, 1935. Radio’s premier horror series was created by writer/ director Wyllis Cooper. Cooper was succeeded by Arch Oboler, one of radio’s greatest dramatic talents.

This anthology series first ran on NBC in 1939, then was reprised on Mutual in 1945. Oboler was an immense talent, compared to Norman Corwin, specializing in stylized "radio literature" that was often political and staunchly anti-Nazi. He got his radio break in horror, writing scripts for Lights Out, before given free reign on his own show to write, produce, and direct his masterpieces of radio theatre.

For more than 20 years, Jack Benny reigned as the king of radio comedy. His show ran on nearly every network from 1932 to the mid 1950s. How he turned a miserable, self-absorbed cheapskate into a beloved icon ranks among the great achievements in entertainment history. Benny revolutionized the way humor was played on radio by introducing the situation comedy and by giving most of the best lines to his supporting cast.

The husband-and-wife vaudeville team of Jim and Marian Jordan began their radio careers in Peoria on a bet from Jim’s brother. The Jordans were heard as The O’Henry Twins and The Air Scouts before Don Quinn created Smackout in 1931. Quinn revamped the show as Fibber McGee and Molly in 1935 when Johnson’s Wax signed on as sponsor.

Detective Michael Shayne was created by Davis Dresser (writing under the pen name Brett Halliday). "Dividend of Death," the first of more than 60 novels featuring the Miami-based private detective was published in 1939. The adventures of the "reckless red-headed Irishman," played by Wally Maher, came to radio October 16, 1944 and aired for 3 years.

Radio's greatest series of high adventure debuted over the CBS network on July 7,1947. Escape's protagonists faced life-and-death situations each week, as the show careened from classic adventure to Western drama to science fiction. The program was broadcast as a sustainer (unsponsored) series during most of its seven-year run.

Academy Award Theater was a half-hour dramatic anthology series presenting radio adaptations of movies that had been nominated for or had won Academy Awards. While the show was a success with critics and audiences alike, it went off the air after only nine months and 39 episodes.

The Screen Director's Playhouse featured adaptations of famous movies and called upon the screen directors to introduce and highlight their work. After each show, the director and stars gathered around the microphones to reminisce about the actual making of the film.

Millions of radio listeners visited Duffy's Tavern each week, but Duffy himself was nowhere to be found. Although he dutifully phoned Archie the manager each week, he never once dropped by. Duffy's Tavern first opened its doors to radio listeners on the CBS audition series Forecast on July 29, 1940, and then opened for regular business on March 1, 1941.

Radio’s greatest adult western told the story of Matt Dillon, U.S. Marshal, "the first man they look for and the last they want to meet." Gunsmoke grew out of a request from CBS founder William Paley for a "Philip Marlowe in the Old West," and featured grimly realistic stories set in the vicinity of Dodge City, the "Gommorrah of the West," with William Conrad as Dillon.

Hopalong Cassidy's millions of fans got a New Year's Day present in 1950 when William Boyd brought the famous Bar-20 Ranch onto the Mutual radio range. In 1950, Clarence Mulford's classic cowboy was heard on 152 radio stations, seen on 63 television outlets and appeared as a comic strip in 155 newspapers.

The Cisco Kid rode onto the Mutual airwaves on October 2, 1942, in a series that starred the versatile Jackson Beck. Cisco and his partner Pancho rode off the Mutual trail on December 14, 1945, but the characters returned to the airwaves two years later in a new version that was broadcast over the Don Lee Pacific Coast Network. Jack Mather and Harry Lang (later replaced by Mel Blanc) portrayed Cisco and Pancho in the later series, which ran for a decade.

The Whistler whistled its way onto the airwaves beginning May 16, 1942 and its eerie 13-note theme set the tone for West Coast radio mystery for the next decade. "I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak."

This Is Your F.B.I. came to the Blue Network on April 6, 1945, created, produced and directed by Jerry Devine, a former child actor. Like Philips H. Lord before him, Devine got special permission from bureau head J. Edgar Hoover to dramatize older cases using fictitious names and locales. Frank Lovejoy was the program's first narrator, followed by Dean Carlton and later William Woodson.

Raymond Chandler introduced readers to Philip Marlowe in his 1939 novel The Big Sleep. Humphrey Bogart, Robert Montgomery and George Montgomery portrayed the hardboiled detective in films before Van Heflin took over as Marlowe in NBC’s 1947 summer series.The Adventures of Philip Marlowe returned September 26, 1948, as a CBS series and starred Gerald Mohr. CBS Chairman William S. Paley was a big fan of The Adventures of Philip Marlowe, and his request for a "Philip Marlowe in the West" led to the development of the legendary western Gunsmoke.

Yours Truly, Johnny Dollar told the story of the freelance insurance investigator with the "action-packed expense account." Radio’s last great detective series, Yours Truly, Johnny Dollar ended its run September 30, 1962 during the final week of network radio drama.

George and Gracie first performed on air over the BBC while touring England after an NBC executive rejected their act insisting that "Gracie’s voice is unfit for radio." Burns and Allen won a regular spot on The Robert Burns Panatella Program February 22, 1932 and moved into the top spot when Guy Lombardo left the series. The Burns and Allen Show aired through May 17, 1950 on radio and for another decade on television. Jack Benny and George Burns were best friends in real life and often were guests on each other’s programs.

NBC's Father Knows Best depicted the lives of the Anderson family, an average American family living in an average American town. Robert Young starred as Jim Anderson, the easy-going and sensible father. Young was the only cast member to survive the transition from radio to television.

The Lux Radio Theatre was one of radio's most popular series attracting Hollywood's top stars and boasting a lavish budget. The Lux Radio Theatre began in 1934 featuring dramas from Broadway, but there was not enough material to support the show. In an attempt to reverse the slipping ratings, the show was moved to Hollywood in 1936, where there was plenty of material and talent.

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Carson, who began his career as a vaudeville actor, got his break in radio with a 1938 performance on The Kraft Music Hall with Bing Crosby. After a few standout bit roles in movies, Carson landed his own radio show on CBS, which debuted on June 2, 1943. The show centered around the host's hectic Hollywood life, famous friends and strange relatives - Carson's old vaudeville partner Dave Willock even played the part of his nephew Tugwell.

The Phil Harris & Alice Faye Show grew out of the popular Fitch Bandwagon series. Phil Harris played himself, continuing the egotistical, smart-alec characterization he had perfected during his years as Jack Bennys' bandleader. Alice Faye, Phil's movie star wife, recreated her real-life role as a film star turn devoted housewife.

I Was a Communist for the FBI--I walk alone. The 1952 syndicated series starred Dana Andrews as real-life undercover agent Matt Cvetic, whose book of the same title provided the inspiration for the radio series and a Hollywood film. Growing out of the communist paranoia of the McCarthy era, the Cold War drama featured red spies portrayed in the same stereotypical manner of the Nazis during World Ward II propaganda programs.

Edward G. Robinson starred as crusading newspaper editor Steve Wilson from October 19, 1937 through July 2, 1942. The Hollywood great was glad to play an idealistic role in contrast to his many film gangster portrayals. Big Town at its peak was radio’s highest-rated drama and was only eclipsed by The Jack Benny Program in ratings. The series was canceled when Edward G. Robinson quit in 1942 but was resurrected the following year with Edward Pawley (and later Walter Greaza) as Wilson and Fran Carlon as Lorelei. The revived Big Town aired from October 5, 1943 through June 25, 1952.

Mid-1950's family sitcom starring Gale Storm as Margie and Charles Farrell as her father, Verne.

Eve Arden portrays Miss Connie Brooks, an overworked and underpaid teacher of 10th grade English at Madison High School. Our Miss Brooks called her radio classroom to order beginning July 19, 1948. The final bell rang for Our Miss Brooks on July 7, 1957.

The Life of Riley featured the comic misadventures of riveter Chester A. Riley. Riley was a devoted family man with a talent for flying off the handle and a penchant for being worse. Movie star William Bendix played the title role of the lovable hardhat throughout the series.

This series is one of a few modern series featured by Radio Classics. A creation of writer Jim French, Harry Nile first came to radio in 1976 and continued to be adapted into the late '90s as part of the "Imagination Theatre" productions. Harry Nile, a former Chicago cop turned private detective, was played by Phil Harper for more than 20 years.

Jimmy Durante Show

Bing Crosby ended his decade-long run on NBC’s Kraft Music Hall in 1946, moving to ABC to star in the transcribed Philco Radio Time after NBC refused to let him pre-record his shows. The crooner was impressed with the editing techniques developed for programs like Command Performance by the engineers of the Armed Forces Radio Service and believed listeners would accept a more tightly edited program even if it was "canned." In 1948, Philco Radio Time made history as the first series recorded on Ampex tape recorders.

The Great Gildersleeve featured one of radio’s greatest casts of comedic players. The Great Gildersleeve aired until March 21, 1957, with Willard Waterman taking over the title role for the final seven radio season and three television seasons.

The Six Shooter aired started movie star James Stewart rode the radio range from September 20, 1953 through June 24, 1954 as Britt Ponset, "the Texas plainsman who wandered through the western territories, leaving behind a trail of still-remembered legends."

Jack "Flashgun" Casey was first introduced in the March 1934 issue of Black Mask, the classic pulp fiction magazine. Created by pulp wordsmith George Harmon Coxe, Casey appeared in dozens of stories in Black Mask, which were later collected into six books. Flashgun Casey came to radio as a CBS sustaining series on July 7, 1943. The series was renamed Casey, Press Photographer in 1944 and became Casey, Crime Photographer on September 12, 1945.

The Green Hornet debuted over the Detroit station on January 31, 1936. The Green Hornet was well-served by his valet Kato and a supercharged roadster, the Black Beauty. Al Hodge portrayed The Green Hornet during the series' first seven seasons, followed by Donovan Faust, Robert Hall and Jack McCarthy. The show ran on radio through December 5, 1952.

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Radio Classics invites you to experience the audio magic of legendary old time radio. RadioClassics features the best dramas, mysteries, comedies, and variety programs from the Golden Age of Radio.