My Friend Irma
Marie Wilson created and starred as Irma Peterson, a loopy but lovable secretary. Irma's best friend and roommate was Jane Stacy, played by Cathy Lewis. The sitcom aired from April 11, 1947 - August 23, 1954.
Listening Preferences
Picking a plan can be tricky and we're here to help.
Tell us how you want to listen to SiriusXM, and any hardware details you know. We'll show you to the best plans and pricing for you.
Choose at least one option below.
Year, make and model are required.
You can listen on your connected device, on the app, or with our web player
Select a radio.
Page content follows
Classic Radio Dramas & Comedy
Channel 148
Shows & SchedulesRadioClassics is the home for the quality programs from The Golden Age Of Radio. Before television, before audio books, before podcasts, great storytelling dominated the realm of radio. It's where imagination ruled. Superman, Dragnet, Gunsmoke, plus comedies from Jack Benny, Bob Hope, Lucille Ball, George Burns & Gracie Allen all originated on radio. Those ageless shows (and so much more) can be found on Radio Classics. Timeless stories and laughs from the past for today's SiriusXM listeners.
Connect with
Now Playing
Marie Wilson created and starred as Irma Peterson, a loopy but lovable secretary. Irma's best friend and roommate was Jane Stacy, played by Cathy Lewis. The sitcom aired from April 11, 1947 - August 23, 1954.
Jack "Flashgun" Casey was first introduced in the March 1934 issue of Black Mask, the classic pulp fiction magazine. Created by pulp wordsmith George Harmon Coxe, Casey appeared in dozens of stories in Black Mask, which were later collected into six books. Flashgun Casey came to radio as a CBS sustaining series on July 7, 1943. The series was renamed Casey, Press Photographer in 1944 and became Casey, Crime Photographer on September 12, 1945.
The Six Shooter aired started movie star James Stewart rode the radio range from September 20, 1953 through June 24, 1954 as Britt Ponset, "the Texas plainsman who wandered through the western territories, leaving behind a trail of still-remembered legends."
For more than 20 years, Jack Benny reigned as the king of radio comedy. His show ran on nearly every network from 1932 to the mid 1950s. How he turned a miserable, self-absorbed cheapskate into a beloved icon ranks among the great achievements in entertainment history. Benny revolutionized the way humor was played on radio by introducing the situation comedy and by giving most of the best lines to his supporting cast.
Bob Hope was born in England in 1903 and immigrated to the U.S. four years later. After an early career in vaudeville and musical revues, Hope made his radio debut on Rudy Vallee’s Fleischmann Hour in 1933 and joined the cast of James Melton’s Intimate Revue in 1935. After introducing his "Thanks for the Memory" theme song in Paramount’s The Big Broadcast of 1938, Hope returned to radio as star of NBC’s The Pepsodent Show beginning September 27, 1938.
Millions of radio listeners visited Duffy's Tavern each week, but Duffy himself was nowhere to be found. Although he dutifully phoned Archie the manager each week, he never once dropped by. Duffy's Tavern first opened its doors to radio listeners on the CBS audition series Forecast on July 29, 1940, and then opened for regular business on March 1, 1941.
This sitcom aired from 1944-1949, first as a summer replacement series for Eddie Cantor's show. Then, after signing on as a regular on the Jimmy Durante show, young scored his own show with Tums as a sponsor. Today he is best known as TV's Wilbur Post, who talked with Mr. Ed the horse.
Detective Michael Shayne was created by Davis Dresser (writing under the pen name Brett Halliday). "Dividend of Death," the first of more than 60 novels featuring the Miami-based private detective was published in 1939. The adventures of the "reckless red-headed Irishman," played by Wally Maher, came to radio October 16, 1944 and aired for 3 years.
Gangbusters first came to radio under the title G-Men beginning July 20, 1935. The long-running series was created by Philip H. Lord and produced "in cooperation with police and federal law enforcement departments throughout the U.S. Gangbusters was one of radio's longest-running dramatic series, running from January 15, 1936 through November 27, 1957, and its classic opening gave rise to the expression "coming on like gangbusters."
This historical drama told tales of early Southern California in "the days of the dons". Stories were based on records from Title Insurance, the show's sponsor. History was made as land changed hands and purposes, causing listeners to think twice about the stories behind their own West Coast land the in mid-1940s.
Hopalong Cassidy's millions of fans got a New Year's Day present in 1950 when William Boyd brought the famous Bar-20 Ranch onto the Mutual radio range. In 1950, Clarence Mulford's classic cowboy was heard on 152 radio stations, seen on 63 television outlets and appeared as a comic strip in 155 newspapers.
This crime noir series featured Jack Webb as Jeff Regan, a private eye who always had a bone to pick with his boss. Frank Graham took over in the second and last season, as Webb moved on to star in and produce Dragnet.
Let George Do It, stars Bob Bailey, who plays George Valentine who was a detective whose cases came from the newspaper.
Created by Orson Welles, this weekly hour-long show presented classic literary works. The series debuted on CBS on July 11, 1938. After the renown (and accidental panic) of "The War of the Worlds", which aired about 6 months after the series began, Campbell's Soup signed on as the sponser and the show became the Campbell Playhouse.
The Mutual Broadcasting System took over and renamed the Sears Radio Theater in December 1979. Hosts Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson and Leonard Nimoy shared duties by presenting productions with different themes each night of the week.
Ventriloquist Edgar Bergen developed his Charlie McCarthy character in high school. Bergen performed with the newsboy dummy while attending Northwestern University and eventually left college to tour vaudeville. With the decline of vaudeville during the Great Depression, Bergen moved into night spots like New York’s trendy Rainbow Room but feared his friend wouldn’t be appreciated by high society. So he gave Charlie a monocle and top hat and a "man about town" was born. Following a three-month guest stint on Rudy Vallee’s show, Edgar Bergen was signed as headliner of The Chase and Sanborn Hour. The series premiered May 9, 1937 and ended the next three seasons as radio’s top-rated series.
Comedy/variety show starring Dean Martin and Jerry Lewis.
The husband-and-wife vaudeville team of Jim and Marian Jordan began their radio careers in Peoria on a bet from Jim’s brother. The Jordans were heard as The O’Henry Twins and The Air Scouts before Don Quinn created Smackout in 1931. Quinn revamped the show as Fibber McGee and Molly in 1935 when Johnson’s Wax signed on as sponsor.
Radio Spirits' nationally syndicated radio program hosted by old-time radio expert Greg Bell
The Mysterious Traveler was one of radio's greatest omniscient storytellers, introducing tales of mystery, science fiction and horror from the typewriters of writers/producers Robert A. Arthur and David Kogan. The Mysterious Traveler rode the Mutual rails from December 5, 1943 through September 23, 1952.
Suspense debuted on June 17, 1942 as a sustaining summer replacement, returned that fall and continued in the CBS lineup September 30, 1962. "Radio's outstanding theatre of thrills" is recognized as one of the finest dramatic series in the history of broadcasting.
The Whistler whistled its way onto the airwaves beginning May 16, 1942 and its eerie 13-note theme set the tone for West Coast radio mystery for the next decade. "I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak."
Chester Lauck and Norris Goff were first heard as Lum and Abner on a radio fundraiser for flood victims. Improvising the spot, they went on the air as the "fellers from the hills" and won a regular spot on KTHS beginning April 26, 1931. Lum and Abner moved into an NBC summer berth July 27, 1931 and aired nationally from May 22, 1933 through May 7, 1954.
Baby Snooks was born at a Detroit party when Fanny Brice, then performing burlesque, sang "Poor Pauline" in a little-girl voice, and was revived for her first radio broadcasts in the '30s. Frank Morgan and Alan Reed served as Snooks’ foils on early broadcasts before Hanley Stafford became radio’s longest-running "Daddy." The Baby Snooks Show aired from September 17, 1944 through May 29, 1951, with Stafford delivering a moving eulogy on the final show following Brice’s death from a cerebral hemorrhage.
Radio’s greatest adult western told the story of Matt Dillon, U.S. Marshal, "the first man they look for and the last they want to meet." Gunsmoke grew out of a request from CBS founder William Paley for a "Philip Marlowe in the Old West," and featured grimly realistic stories set in the vicinity of Dodge City, the "Gommorrah of the West," with William Conrad as Dillon.
Raymond Chandler introduced readers to Philip Marlowe in his 1939 novel The Big Sleep. Humphrey Bogart, Robert Montgomery and George Montgomery portrayed the hardboiled detective in films before Van Heflin took over as Marlowe in NBC’s 1947 summer series.The Adventures of Philip Marlowe returned September 26, 1948, as a CBS series and starred Gerald Mohr. CBS Chairman William S. Paley was a big fan of The Adventures of Philip Marlowe, and his request for a "Philip Marlowe in the West" led to the development of the legendary western Gunsmoke.
Command Performance aired between 1942 and 1949 on the Armed Forces Radio Network, which meant it was transmitted exclusively to American troops overseas. Though produced in California, troops abroad sent requests and ideas for performers, music, and sketches. The show featured some of the biggest stars of the day like Bob Hope, Bing Crosby, Jack Benny, Judy Garland and more. CBS created a spinoff series called Request Performance, which aired from 1945-46.
Based on the popular characters created by Sir Arthur Conan Doyle, The Adventures of Sherlock Holmes began on coast-to-coast CBS radio in 1930. By the late 1930s The Adventures of Sherlock Holmes had moved to the Mutual Broadcasting Network and the series was forced to rely on invented new adventures, having run out of Doyle stories to adapt.
The Haunting Hour
Lights Out debuted January 1, 1934 over Chicago’s WENR and moved onto the NBC airwaves beginning April 17, 1935. Radio’s premier horror series was created by writer/ director Wyllis Cooper. Cooper was succeeded by Arch Oboler, one of radio’s greatest dramatic talents.
The Great Gildersleeve featured one of radio’s greatest casts of comedic players. The Great Gildersleeve aired until March 21, 1957, with Willard Waterman taking over the title role for the final seven radio season and three television seasons.
Mr. Keen was a charming and kindly old tracer of missing persons along with his assistant Mike Clancy.
Michael Waring was a freelance detective who was also known as the Falcon. Waring's detective techniques were a cross between Ellery Queen and Richard Diamond. He had a certain eye for detail but was frequently on the outs with the police.
Academy Award Theater was a half-hour dramatic anthology series presenting radio adaptations of movies that had been nominated for or had won Academy Awards. While the show was a success with critics and audiences alike, it went off the air after only nine months and 39 episodes.
This mystery/horror series aired on Mutual from March-September of 1945. Philip Clarke played the cackling "keeper of the book," who told spooky tales of black magic, not unlike in The Witch's Tale or The Hermit's Cave
Eve Arden portrays Miss Connie Brooks, an overworked and underpaid teacher of 10th grade English at Madison High School. Our Miss Brooks called her radio classroom to order beginning July 19, 1948. The final bell rang for Our Miss Brooks on July 7, 1957.
Stan Freberg Show
This series is one of a few modern series featured by Radio Classics. A creation of writer Jim French, Harry Nile first came to radio in 1976 and continued to be adapted into the late '90s as part of the "Imagination Theatre" productions. Harry Nile, a former Chicago cop turned private detective, was played by Phil Harper for more than 20 years.
Leslie Charteris' famous character first came to radio on January 6, 1945 with Edgar Barrier heard as the debonair Simon Templar. The "Robin Hood of modern crime" returned to the airwaves on July 9, 1947 with Vincent Price in the title role in a short-lived CBS summer series. Price returned to the role in 1949 over Mutual and became radio's most remembered Simon Templar.
The Red Skelton Show came to NBC on October 7, 1941 after years as a mainstay on Cincinnati's powerhouse station WLW. Red scored with radio audiences as Junior, "the mean widdle kid," a character he originated in vaudeville. Some of his other memorable characters included Deadeye, J. Newton Numbskull, Willie Lump-Lump, Bolivar Shagnasty and Clem Kadiddlehopper.
Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent... One of the most popular police dramas in the history of broadcasting, Dragnet aired on NBC Radio from June 10, 1949 through February 7, 1957 and on television from 1952-59 and 1967-72. Dragnet introduced a new era of documentary-style realism.
Frank Lovejoy is heard as Randy "Lucky" Stone, a hardboiled reporter who covers the "nightbeat" for the Chicago Star. Randy Stone wandered the back alleys and bars of Chicago, searching for both crime and human-interest stories. Nightbeat premiered on February 6, 1950 and ran until September 25, 1952.
The Cisco Kid rode onto the Mutual airwaves on October 2, 1942, in a series that starred the versatile Jackson Beck. Cisco and his partner Pancho rode off the Mutual trail on December 14, 1945, but the characters returned to the airwaves two years later in a new version that was broadcast over the Don Lee Pacific Coast Network. Jack Mather and Harry Lang (later replaced by Mel Blanc) portrayed Cisco and Pancho in the later series, which ran for a decade.
Inner Sanctum's sinister host welcomed listeners "through the squeaking door to another night of horror." The show’s "squeaking door" was one of radio’s most-remembered openings and was inspired by the creaking hinges on a sound effects door at the radio studio.
This horror series consisted mostly of adapted supernatural tales from greats like Edgar Allen Poe and Robert Louis Stevenson. It aired for two seasons from 1943-1945, first on Mutual and then on NBC's Red network.
George and Gracie first performed on air over the BBC while touring England after an NBC executive rejected their act insisting that "Gracie’s voice is unfit for radio." Burns and Allen won a regular spot on The Robert Burns Panatella Program February 22, 1932 and moved into the top spot when Guy Lombardo left the series. The Burns and Allen Show aired through May 17, 1950 on radio and for another decade on television. Jack Benny and George Burns were best friends in real life and often were guests on each other’s programs.
Rocky Jordan operated a café in exotic Cairo, a city filled with danger and intrigue, and spent much of his time solving crimes. The detective show was based on an earlier program called A Man Named Jordan.
Glen Langan starred as the lead character Barton Drake in this detective series that aired on Mutual Radio from 1947 to 1948. Drake is an author and amateur crime solver fascinated by the minds of criminals. This series is full of good ole "whodunnit" storylines.
Radio's greatest series of high adventure debuted over the CBS network on July 7,1947. Escape's protagonists faced life-and-death situations each week, as the show careened from classic adventure to Western drama to science fiction. The program was broadcast as a sustainer (unsponsored) series during most of its seven-year run.
Author's Playhouse
RadioClassics SiriusXM 148
These frightening 15-minute tales always ended with a - you guessed it - unexpected twist. Barry Sullivan, Virginia Gregg, and Lurene Tuttle appeared in this syndicated series in 1948.
Specially transcribed tales of the dark and tragic ground of the wild frontier. The saga of fighting men who rode the rim of empire and the dramatic story of Lee Quince, Captain of Cavalry. Premiering in January 1956, Raymond Burr starred as Captain Quince-a soldier who followed orders and a leader who lived by his own rules of fairness and honesty.
Dashiell Hammett's Sam Spade walked out of the pages of Black Mask and into his own CBS radio series of July 12, 1946. Howard Duff starred as the hardboiled detective for the first three seasons. Lurene Tuttle was Sam's secretary Effie Perrine and Jerry Hausner was his lawyer Sid Weiss. CBS dropped the series in 1950 when Hammett ran afoul of Congress' Un-American Activities investigators, but the show was quickly revived by NBC.
The Green Hornet debuted over the Detroit station on January 31, 1936. The Green Hornet was well-served by his valet Kato and a supercharged roadster, the Black Beauty. Al Hodge portrayed The Green Hornet during the series' first seven seasons, followed by Donovan Faust, Robert Hall and Jack McCarthy. The show ran on radio through December 5, 1952.
The Lux Radio Theatre was one of radio's most popular series attracting Hollywood's top stars and boasting a lavish budget. The Lux Radio Theatre began in 1934 featuring dramas from Broadway, but there was not enough material to support the show. In an attempt to reverse the slipping ratings, the show was moved to Hollywood in 1936, where there was plenty of material and talent.
The Screen Director's Playhouse featured adaptations of famous movies and called upon the screen directors to introduce and highlight their work. After each show, the director and stars gathered around the microphones to reminisce about the actual making of the film.
This serialized comedy-drama aired first in the mid 1930s and was later revived in 1957 with Peg Lynch and Alan Bunce playing their characters from Ethel & Albert. Peg Lynch wrote every episode of this 15-minute CBS series from 1957-1960.
Yours Truly, Johnny Dollar told the story of the freelance insurance investigator with the "action-packed expense account." Radio’s last great detective series, Yours Truly, Johnny Dollar ended its run September 30, 1962 during the final week of network radio drama.
Longtime Hollywood character actor J. Carrol Naish became a radio star in his own right after nearly two decades toiling in the background in such films as Beau Geste, House of Frankenstein and the Batman movie serial. The native New Yorker of Irish descent finally won fame as "the little Italian immigrant" who each week wrote of his American adventures to his mama in Italy. Life with Luigi aired from September 21, 1948 through March 3, 1953 on radio, and the radio cast briefly did double duty in a short-lived 1952 television version.
The Life of Riley featured the comic misadventures of riveter Chester A. Riley. Riley was a devoted family man with a talent for flying off the handle and a penchant for being worse. Movie star William Bendix played the title role of the lovable hardhat throughout the series.
The Casebook of Gregory Hood came to radio in 1946 as a summer replacement for Sherlock Holmes and took over the great detective's Mutual time spot. The series featured the adventures of San Francisco-based importer-turned-sleuth Gregory Hood with his friend and ally, attorney Sanderson Taylor. The program lasted a year in its initial run but was resurrected several times in a variety of time spots, often as a summer replacement. Gale Gordon was the first actor to portray Gregory Hood and the series would also feature Elliott Lewis, Bill Johnstone, George Petrie, Martin Gabel, Paul McGrath and Jackson Beck.
I Was a Communist for the FBI--I walk alone. The 1952 syndicated series starred Dana Andrews as real-life undercover agent Matt Cvetic, whose book of the same title provided the inspiration for the radio series and a Hollywood film. Growing out of the communist paranoia of the McCarthy era, the Cold War drama featured red spies portrayed in the same stereotypical manner of the Nazis during World Ward II propaganda programs.
This crime drama was first produced by the BBC in 1951, and aired in the US the following year. Narrator Orson Welles told tales of this "mausoleum of murder," with ordinary objects and the murder mysteries behind them.
This excellent Western series, created by Antony Ellis, aired for several months on CBS in 1958. John Dehner starred as British reporter J.B. Kendall, who traveled the Wild West in search of stories of adventure. Versatile radio stars like Virginia Gregg, Jospeh Kearns, Stacy Harris and more were featured throughout.
Boston Blackie was created by Jack Boyle, a hard-drinking opium addict who served three prison terms. While in prison, Boyle began writing true-crime confession stories that were published in The American Magazine under the byline 6006, his convict number. Boyle's stories were collected in his 1919 book, Boston Blackie, and inspired a popular series of B-films, the radio series and a 1951 video version.
Crime Classics featured "true crime stories from the records and newspapers of every land from every time" culled from director Elliott Lewis' voluminous personal library of true crime cases. The CBS series ran from June 15, 1953 through June 30, 1954.
Calling All Cars
This police procedural series was syndicated on NBC stations in 1932. It features quarter-hour stories typically based on true crimes.
X-Minus One premiered on April 24, 195 and was a revival of Dimension X, NBC's earlier science fiction anthology series. X-Minus One ran until January 9, 1958 and was rerun during the 1970s as part of NBC's Omnibus series.
Richard Diamond, Private Detective premiered over the NBC network on April 24, 1949 and ran through 1952 starring Dick Powell as "radio's singing detective." Powell had first achieved movie stardom as a baby-faced crooner, and later matured to hardboiled roles, including Raymond Chandler's Philip Marlowe in the 1944 film Murder My Sweet.
Edward G. Robinson starred as crusading newspaper editor Steve Wilson from October 19, 1937 through July 2, 1942. The Hollywood great was glad to play an idealistic role in contrast to his many film gangster portrayals. Big Town at its peak was radio’s highest-rated drama and was only eclipsed by The Jack Benny Program in ratings. The series was canceled when Edward G. Robinson quit in 1942 but was resurrected the following year with Edward Pawley (and later Walter Greaza) as Wilson and Fran Carlon as Lorelei. The revived Big Town aired from October 5, 1943 through June 25, 1952.
The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. The CBS Workshop regularly featured the works of the world’s greatest writers. including Ray Bradbury, Archibald MacLeish, William Saroyan, Lord Dunsany and Ambrose Bierce.
This CBS cop procedural pulls back the curtain on crime fighting in San Francisco. The Shadow's Bill Johnstone starred as cool-mannered Lt. Ben Guthrie, foil to hot-tempered Sgt. Matt Grebb. Director Elliot Lewis was one of the busiest men in radio, having a hand in the Phil Harris & Alice Faye Show, Suspense, Broadway Is My Beat, and many more.
Candy Matson was a hard-as-nails private eye who also happended to be beautiful. The show, set in San Francisco, was on the air from 1941 to 1942. Starring Natalie Masters.
This magical mystery show aired from 1948-1949 on the Mutual Broadcasting System. Ed Jerome starred as Harry Blackstone, a skilled magician who told his tales of adventure and escape in flashbacks. At the end of each episode, Blackstone would perform and describe a new magic trick for his kid listeners to practice at home. Ted Osborne and Fran Carlon also starred as Blackstone's friends John and Rhonda.
The Phil Harris & Alice Faye Show grew out of the popular Fitch Bandwagon series. Phil Harris played himself, continuing the egotistical, smart-alec characterization he had perfected during his years as Jack Bennys' bandleader. Alice Faye, Phil's movie star wife, recreated her real-life role as a film star turn devoted housewife.
This intellectual quiz show aired in various forms from 1938 to the late 1940s. Correct answers and facts were only half of the entertainment value; personalities are what made the show unique. A sense of humor and ability to turn a phrase often illuminated stars more than their recollection of facts. The rotating "fourth chair" guest spot would be filled by personalities from theatre, film, music, radio, politics, etc.
This frightening thriller series aired for about 10 years in various forms starting in 1943- on NBC, CBS and ABC. The show's "annotater", criminologist character Geoffrey Barnes, filled in the blanks of the stories and provided analysis for the listener.
From the heart of the jungle comes a savage cry of victory. This is Tarzan, Lord of the jungle! From Africa... land of enchantment, mystery and violence comes one of the most colorful figures of all time. Transcribed from the immortal pen of Edgar Rice Burroughs and starring Lamont Johnson as "the son of the jungle".
Inheritance
Tom Mix Straightshooters
Phillip Marlowe
This series revolved around true crime stories reported in newspapers. The stories were dramatized retellings of heroic reporters uncovering big truths in the name of public service. At the end of every episode the show gave a $500 reward to the real reporter on whose stories the episode was based. The Big Story aired from April 2, 1947 through March 23, 1955.
This award-winning children's radio program, which adapted popular stories like "Cinderella", "Rumpelstiltsken" and "Sleeping Beauty", aired for almost 20 years on CBS.
John Steinbeck recognized Fred Allen as "unquestionably the best humorist of our time, a brilliant critic of manners and morals." Following in the footsteps of Will Rogers, Fred reintroduced topical political humor to radio. Fred introduced his classic "Allen’s Alley" segment December 13, 1942.
Have Gun, Will Travel debuted on television on September 14, 1957 and moved to radio November 23, 1958. The program was an oddity, a western that began on television and moved to radio, featuring an ethical anti-hero whose mysterious origins were left untold until the fifth and final TV season.
Broadway Is My Beat debuted over CBS on February 27, 1949 and continued through August 1, 1954. Anthony Ross starred as Clover during the first two seasons, with Thor taking over the role on July 3, 1950. Homicide detective Clover pounded the Broadway beat for five years in one of radio's last great detective series.
The Bill Stern Sports Newsreel aired for nearly two decades: from December 5, 1937 through June 22, 1956. Stern began his career in vaudeville and worked for several years as assistant stage manager of New York’s famed Roxy Theater and Radio City Music Hall before moving into network broadcasting in 1934.
Science-fiction anthology series on the Mutual Radio Network. It was the first of its kind for adults, predating the landmark NBC series Dimension X.
This mystery series aired on NBC and CBS from 1942 to 1954, originally starring Alice Frost and Joseph Curtin. The title characters were a married couple of amateur detectives who somehow always managed to solve crimes that stumped professional police and detectives.
Philo Vance was the most popular fictional detective during the late 1920s and early 1930s and influenced the creation of many later detectives. S.S. Van Dine's legendary creation was first brought to radio on July 5, 1945 in an NBC summer series starring Jose Ferrar and was also briefly portrayed by John Emery.
Inspector Peter Black of Scotland Yard chased bad guys in this CBS detective drama from October of '49-May March '52. Black would be portrayed by Ted de Corsia, John Dehner, and Ben Wright in the show's lifetime.
The Family Theater radio series, which featured hundreds of famous actors, was broadcast on the Mutual Broadcasting System from 1947 to 1969, making it one of the longest running weekly dramatic radio programs in history.
AKA "The Harold Peary Show" -- Peary, best known for his role as Gildersleeve on the Fibber McGee & Molly Show (and later on The Great Gildserleeve), starred in this short-lived sitcom. After acting as Gildersleeve on NBC for more than 10 years, Peary switched to CBS for this series, which only ran for one season. However, during the show's run, then-governor Earl Warren awarded Peary for his 10,000th radio broadcast (Warren later became Chief Justice of the US Supreme Court)
Dimension X aired over NBC from April 8, 1950 through September 29, 1951 featuring "adventures in time and space told in future tense." The series adapted stories by the modern masters of science fiction adapting works by Isaac Asimov, Ray Bradbury, Robert Heinlein, Clifford Simak, Theodore Sturgeon and many others.
Murder Clinic
This medical drama was based on films by the same name. Lews Ayes as Dr. Kildare and Lionel Barrymore as Dr. Gillespie face everything from pushy administrators to personal drama and ethical crises in the halls of Blair General Hospital in New York City.
Jim French wrote this modern adaptation of mystery's most famous detective as part of the Imagination Theatre productions. These plays were produced and aired in the '00s. John Patrick Lowrie plays Holmes and Lawrence Albert portrays Watson.
Exclusive channels, sports play-by-play, A-list hosts. The variety you want, where you choose to listen.