RadioClassics

Radio's greatest series of high adventure debuted over the CBS network on July 7,1947. Escape's protagonists faced life-and-death situations each week, as the show careened from classic adventure to Western drama to science fiction. The program was broadcast as a sustainer (unsponsored) series during most of its seven-year run.

Frank Lovejoy is heard as Randy "Lucky" Stone, a hardboiled reporter who covers the "nightbeat" for the Chicago Star. Randy Stone wandered the back alleys and bars of Chicago, searching for both crime and human-interest stories. Nightbeat premiered on February 6, 1950 and ran until September 25, 1952.

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Bob Hope was born in England in 1903 and immigrated to the U.S. four years later. After an early career in vaudeville and musical revues, Hope made his radio debut on Rudy Vallee’s Fleischmann Hour in 1933 and joined the cast of James Melton’s Intimate Revue in 1935. After introducing his "Thanks for the Memory" theme song in Paramount’s The Big Broadcast of 1938, Hope returned to radio as star of NBC’s The Pepsodent Show beginning September 27, 1938.

The Screen Director's Playhouse featured adaptations of famous movies and called upon the screen directors to introduce and highlight their work. After each show, the director and stars gathered around the microphones to reminisce about the actual making of the film.

Boston Blackie was created by Jack Boyle, a hard-drinking opium addict who served three prison terms. While in prison, Boyle began writing true-crime confession stories that were published in The American Magazine under the byline 6006, his convict number. Boyle's stories were collected in his 1919 book, Boston Blackie, and inspired a popular series of B-films, the radio series and a 1951 video version.

Yours Truly, Johnny Dollar told the story of the freelance insurance investigator with the "action-packed expense account." Radio’s last great detective series, Yours Truly, Johnny Dollar ended its run September 30, 1962 during the final week of network radio drama.

Jim French wrote this modern adaptation of mystery's most famous detective as part of the Imagination Theatre productions. These plays were produced and aired in the '00s. John Patrick Lowrie plays Holmes and Lawrence Albert portrays Watson.

Studio One

The Mutual Broadcasting System took over and renamed the Sears Radio Theater in December 1979. Hosts Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson and Leonard Nimoy shared duties by presenting productions with different themes each night of the week.

The Green Hornet debuted over the Detroit station on January 31, 1936. The Green Hornet was well-served by his valet Kato and a supercharged roadster, the Black Beauty. Al Hodge portrayed The Green Hornet during the series' first seven seasons, followed by Donovan Faust, Robert Hall and Jack McCarthy. The show ran on radio through December 5, 1952.

Superman debuted in 1938 in the first issue of Action Comics and quickly took America by storm. The Man of Steel rocketed from comic books into newspapers, film, and radio. Actor Bud Collyer flew "up, up and away" in a syndicated series that debuted February 12, 1940 and soared into his long-running Mutual daily serial on August 31, 1942. Much of Superman’s legendary mythology originated not in his four-color adventures but on his famous radio series. The Daily Planet newspaper was introduced on the radio program, and the Man of Steel first encountered Batman, Robin and kryptonite on the air. Superman flew off the radio airwaves on March 1, 1951 but landed in a successful syndicated television series the following year.

Millions of radio listeners visited Duffy's Tavern each week, but Duffy himself was nowhere to be found. Although he dutifully phoned Archie the manager each week, he never once dropped by. Duffy's Tavern first opened its doors to radio listeners on the CBS audition series Forecast on July 29, 1940, and then opened for regular business on March 1, 1941.

For more than 20 years, Jack Benny reigned as the king of radio comedy. His show ran on nearly every network from 1932 to the mid 1950s. How he turned a miserable, self-absorbed cheapskate into a beloved icon ranks among the great achievements in entertainment history. Benny revolutionized the way humor was played on radio by introducing the situation comedy and by giving most of the best lines to his supporting cast.

The Lux Radio Theatre was one of radio's most popular series attracting Hollywood's top stars and boasting a lavish budget. The Lux Radio Theatre began in 1934 featuring dramas from Broadway, but there was not enough material to support the show. In an attempt to reverse the slipping ratings, the show was moved to Hollywood in 1936, where there was plenty of material and talent.

Bing Crosby ended his decade-long run on NBC’s Kraft Music Hall in 1946, moving to ABC to star in the transcribed Philco Radio Time after NBC refused to let him pre-record his shows. The crooner was impressed with the editing techniques developed for programs like Command Performance by the engineers of the Armed Forces Radio Service and believed listeners would accept a more tightly edited program even if it was "canned." In 1948, Philco Radio Time made history as the first series recorded on Ampex tape recorders.

Eddie Cantor Show

Radio Spirits' nationally syndicated radio program hosted by old-time radio expert Greg Bell

The Haunting Hour

Let George Do It, stars Bob Bailey, who plays George Valentine who was a detective whose cases came from the newspaper.

The Cavalcade of America was a historical dramatic anthology and aired from 1935 to 1953. Patriotic in nature, this series was created in part to improve the name of sponsor DuPont Chemical, which received backlash for profiting enormously from War World I. The show's themes were never voilent, but rather idealistic. Stories included the voyage of the Mayflower, the first telegraph, and Eli Whitney's cotton gin.

Bud Abbott and Lou Costello made their radio debut on CBS’ The Kate Smith Show as replacements for Hollywood-bound Henny Youngman. The former burlesque comics reintroduced and preserved the classic comedy sketches of vaudeville in their films and radio and television series. The Abbott and Costello Show debuted as a 1940 summer replacement for Fred Allen and later aired from October 8, 1942 through June 29, 1949.

Eve Arden portrays Miss Connie Brooks, an overworked and underpaid teacher of 10th grade English at Madison High School. Our Miss Brooks called her radio classroom to order beginning July 19, 1948. The final bell rang for Our Miss Brooks on July 7, 1957.

Destination Freedom

The Bill Stern Sports Newsreel aired for nearly two decades: from December 5, 1937 through June 22, 1956. Stern began his career in vaudeville and worked for several years as assistant stage manager of New York’s famed Roxy Theater and Radio City Music Hall before moving into network broadcasting in 1934.

Academy Award Theater was a half-hour dramatic anthology series presenting radio adaptations of movies that had been nominated for or had won Academy Awards. While the show was a success with critics and audiences alike, it went off the air after only nine months and 39 episodes.

True Detective Mysteries

Specially transcribed tales of the dark and tragic ground of the wild frontier. The saga of fighting men who rode the rim of empire and the dramatic story of Lee Quince, Captain of Cavalry. Premiering in January 1956, Raymond Burr starred as Captain Quince-a soldier who followed orders and a leader who lived by his own rules of fairness and honesty.

Radio’s greatest adult western told the story of Matt Dillon, U.S. Marshal, "the first man they look for and the last they want to meet." Gunsmoke grew out of a request from CBS founder William Paley for a "Philip Marlowe in the Old West," and featured grimly realistic stories set in the vicinity of Dodge City, the "Gommorrah of the West," with William Conrad as Dillon.

Dashiell Hammett's Sam Spade walked out of the pages of Black Mask and into his own CBS radio series of July 12, 1946. Howard Duff starred as the hardboiled detective for the first three seasons. Lurene Tuttle was Sam's secretary Effie Perrine and Jerry Hausner was his lawyer Sid Weiss. CBS dropped the series in 1950 when Hammett ran afoul of Congress' Un-American Activities investigators, but the show was quickly revived by NBC.

The whole drama of life is written in the sands of time. William Conrad narrates tales of mystery starring Cathy and Elliott Lewis, "the airwaves' most distinguished acting couple." The Clock was produced and directed by William Spier of radio's legendary series Suspense. It aired on ABC from November 3, 1946 - May 23, 1948.

Suspense debuted on June 17, 1942 as a sustaining summer replacement, returned that fall and continued in the CBS lineup September 30, 1962. "Radio's outstanding theatre of thrills" is recognized as one of the finest dramatic series in the history of broadcasting.

Murder Clinic

The Mysterious Traveler was one of radio's greatest omniscient storytellers, introducing tales of mystery, science fiction and horror from the typewriters of writers/producers Robert A. Arthur and David Kogan. The Mysterious Traveler rode the Mutual rails from December 5, 1943 through September 23, 1952.

This supernatural fantasy series aired on the Mutual Broadcasting System from 1944-1945. The 15-minute show can be considered a lite version of "Mysterious Traveler," as it also starred Maurice Tarplin and shared a writer.

Lights Out debuted January 1, 1934 over Chicago’s WENR and moved onto the NBC airwaves beginning April 17, 1935. Radio’s premier horror series was created by writer/ director Wyllis Cooper. Cooper was succeeded by Arch Oboler, one of radio’s greatest dramatic talents.

Crime Classics featured "true crime stories from the records and newspapers of every land from every time" culled from director Elliott Lewis' voluminous personal library of true crime cases. The CBS series ran from June 15, 1953 through June 30, 1954.

The Whistler whistled its way onto the airwaves beginning May 16, 1942 and its eerie 13-note theme set the tone for West Coast radio mystery for the next decade. "I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak."

Also known as the CBS Radio Workshop, this was an experimental anthology series that pushed the envelope of defining art with its creative use of sound. It featured many New York actors and scripts by some of the country's best writers. It aired in various forms on CBS from 1936 - 1957.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. The CBS Workshop regularly featured the works of the world’s greatest writers. including Ray Bradbury, Archibald MacLeish, William Saroyan, Lord Dunsany and Ambrose Bierce.

Dimension X aired over NBC from April 8, 1950 through September 29, 1951 featuring "adventures in time and space told in future tense." The series adapted stories by the modern masters of science fiction adapting works by Isaac Asimov, Ray Bradbury, Robert Heinlein, Clifford Simak, Theodore Sturgeon and many others.

This mystery series aired on NBC and CBS from 1942 to 1954, originally starring Alice Frost and Joseph Curtin. The title characters were a married couple of amateur detectives who somehow always managed to solve crimes that stumped professional police and detectives.

Tales of the Texas Rangers was broadcast over NBC from July 8 1950 through September 14, 1952 and was later revived on television. Western film star Joel McCrea portrayed Ranger Jace Pearson in NBC's Tales of the Texas Rangers.

Frank Race is an attorney whose life is filled with intrigue following the war. The adventure series aired from 1949 to 1950. Starring Tom Collins and then Paul Dobov.

This medical drama was based on films by the same name. Lews Ayes as Dr. Kildare and Lionel Barrymore as Dr. Gillespie face everything from pushy administrators to personal drama and ethical crises in the halls of Blair General Hospital in New York City.

"Radio's own show" first ran in 1931 as a 15-minute show, then revamped in 1940 as a half-hour program, hosted by Graham McNamee. Episodes could feature interviews with inventors, producers, show runners and actors, sharing behind-the-scenes stories of how radio shows get made.

This horror series consisted mostly of adapted supernatural tales from greats like Edgar Allen Poe and Robert Louis Stevenson. It aired for two seasons from 1943-1945, first on Mutual and then on NBC's Red network.

This Is Your F.B.I. came to the Blue Network on April 6, 1945, created, produced and directed by Jerry Devine, a former child actor. Like Philips H. Lord before him, Devine got special permission from bureau head J. Edgar Hoover to dramatize older cases using fictitious names and locales. Frank Lovejoy was the program's first narrator, followed by Dean Carlton and later William Woodson.

Detective Michael Shayne was created by Davis Dresser (writing under the pen name Brett Halliday). "Dividend of Death," the first of more than 60 novels featuring the Miami-based private detective was published in 1939. The adventures of the "reckless red-headed Irishman," played by Wally Maher, came to radio October 16, 1944 and aired for 3 years.

Words At War

Michael Waring was a freelance detective who was also known as the Falcon. Waring's detective techniques were a cross between Ellery Queen and Richard Diamond. He had a certain eye for detail but was frequently on the outs with the police.

This series revolved around true crime stories reported in newspapers. The stories were dramatized retellings of heroic reporters uncovering big truths in the name of public service. At the end of every episode the show gave a $500 reward to the real reporter on whose stories the episode was based. The Big Story aired from April 2, 1947 through March 23, 1955.

Edward G. Robinson starred as crusading newspaper editor Steve Wilson from October 19, 1937 through July 2, 1942. The Hollywood great was glad to play an idealistic role in contrast to his many film gangster portrayals. Big Town at its peak was radio’s highest-rated drama and was only eclipsed by The Jack Benny Program in ratings. The series was canceled when Edward G. Robinson quit in 1942 but was resurrected the following year with Edward Pawley (and later Walter Greaza) as Wilson and Fran Carlon as Lorelei. The revived Big Town aired from October 5, 1943 through June 25, 1952.

Dane Clark stars as Peter Chambers, a tough private eye that plays nice with the NYPD. The series is based on "Peter Chambers" novels, written by Henry Kane.

This magical mystery show aired from 1948-1949 on the Mutual Broadcasting System. Ed Jerome starred as Harry Blackstone, a skilled magician who told his tales of adventure and escape in flashbacks. At the end of each episode, Blackstone would perform and describe a new magic trick for his kid listeners to practice at home. Ted Osborne and Fran Carlon also starred as Blackstone's friends John and Rhonda.

Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent... One of the most popular police dramas in the history of broadcasting, Dragnet aired on NBC Radio from June 10, 1949 through February 7, 1957 and on television from 1952-59 and 1967-72. Dragnet introduced a new era of documentary-style realism.

Pete Kelly's Blues

Pat Novak for Hire was broadcast from San Francisco and debuted in 1946 as an ABC Sunday night West Coast series. Ben Murphy starred as the hard-boiled Novak during the West Coast run, but Jack Webb made the role his own when series was revived on February 13, 1949 over the entire ABC national network.

This crime noir series featured Jack Webb as Jeff Regan, a private eye who always had a bone to pick with his boss. Frank Graham took over in the second and last season, as Webb moved on to star in and produce Dragnet.

This police procedural series was syndicated on NBC stations in 1932. It features quarter-hour stories typically based on true crimes.

This film star-centric variety revue aired in various forms on various networks from '39 - '52. It drew the biggest celebrities in Hollywood with its charity slant - appearance fees that normally would go to performers went to support housing for aging film stars. Stunts, songs, and film adaptations were all a part of this popular series' material.

Tom Corbett, Space Cadet

Gangbusters first came to radio under the title G-Men beginning July 20, 1935. The long-running series was created by Philip H. Lord and produced "in cooperation with police and federal law enforcement departments throughout the U.S. Gangbusters was one of radio's longest-running dramatic series, running from January 15, 1936 through November 27, 1957, and its classic opening gave rise to the expression "coming on like gangbusters."

Comedy/variety show starring Dean Martin and Jerry Lewis.

Ventriloquist Edgar Bergen developed his Charlie McCarthy character in high school. Bergen performed with the newsboy dummy while attending Northwestern University and eventually left college to tour vaudeville. With the decline of vaudeville during the Great Depression, Bergen moved into night spots like New York’s trendy Rainbow Room but feared his friend wouldn’t be appreciated by high society. So he gave Charlie a monocle and top hat and a "man about town" was born. Following a three-month guest stint on Rudy Vallee’s show, Edgar Bergen was signed as headliner of The Chase and Sanborn Hour. The series premiered May 9, 1937 and ended the next three seasons as radio’s top-rated series.

George and Gracie first performed on air over the BBC while touring England after an NBC executive rejected their act insisting that "Gracie’s voice is unfit for radio." Burns and Allen won a regular spot on The Robert Burns Panatella Program February 22, 1932 and moved into the top spot when Guy Lombardo left the series. The Burns and Allen Show aired through May 17, 1950 on radio and for another decade on television. Jack Benny and George Burns were best friends in real life and often were guests on each other’s programs.

Calling All Cars

Broadway Is My Beat debuted over CBS on February 27, 1949 and continued through August 1, 1954. Anthony Ross starred as Clover during the first two seasons, with Thor taking over the role on July 3, 1950. Homicide detective Clover pounded the Broadway beat for five years in one of radio's last great detective series.

This NBC thriller ran for about a year from the spring of 1952 to the summer of 1953. Each unique story entails suspense, action and, of course, a protagonist on the run. The series often featured guest stars who were announcers or actors for other suspenseful series, and many of the scripts were also used in other dramas like The Clock and Inner Sanctum Mysteries.

Based on the popular characters created by Sir Arthur Conan Doyle, The Adventures of Sherlock Holmes began on coast-to-coast CBS radio in 1930. By the late 1930s The Adventures of Sherlock Holmes had moved to the Mutual Broadcasting Network and the series was forced to rely on invented new adventures, having run out of Doyle stories to adapt.

The Phil Harris & Alice Faye Show grew out of the popular Fitch Bandwagon series. Phil Harris played himself, continuing the egotistical, smart-alec characterization he had perfected during his years as Jack Bennys' bandleader. Alice Faye, Phil's movie star wife, recreated her real-life role as a film star turn devoted housewife.

The Life of Riley featured the comic misadventures of riveter Chester A. Riley. Riley was a devoted family man with a talent for flying off the handle and a penchant for being worse. Movie star William Bendix played the title role of the lovable hardhat throughout the series.

This historical drama told tales of early Southern California in "the days of the dons". Stories were based on records from Title Insurance, the show's sponsor. History was made as land changed hands and purposes, causing listeners to think twice about the stories behind their own West Coast land the in mid-1940s.

This series consisted of 15-minute episodes about true historical adventures in the American West. Some of the stories include Lewis & Clark, the Oregon boundary dispute, and the purchase of Alaska. The original broadcast dates for Frontier Fighters are still unclear; the series ran sometime during the 1930s.

Phillips H. Lord, creator of Gang Busters, worked with creator/writer/director Ed Byron to develop this series, which is inspired by the early years of New York Governor Thomas E. Dewey. It aired on NBC and ABC from April 3, 1939 to June 13, 1952. The nameless title role was played by several actors throughout the run: Raymond Edward Johnson, Jay Jostyn, and David Brian. A key figure in the show was the D.A.'s secretary, Edith Miller (played by Vicki Vola).

Philo Vance was the most popular fictional detective during the late 1920s and early 1930s and influenced the creation of many later detectives. S.S. Van Dine's legendary creation was first brought to radio on July 5, 1945 in an NBC summer series starring Jose Ferrar and was also briefly portrayed by John Emery.

Command Performance aired between 1942 and 1949 on the Armed Forces Radio Network, which meant it was transmitted exclusively to American troops overseas. Though produced in California, troops abroad sent requests and ideas for performers, music, and sketches. The show featured some of the biggest stars of the day like Bob Hope, Bing Crosby, Jack Benny, Judy Garland and more. CBS created a spinoff series called Request Performance, which aired from 1945-46.

John Steinbeck recognized Fred Allen as "unquestionably the best humorist of our time, a brilliant critic of manners and morals." Following in the footsteps of Will Rogers, Fred reintroduced topical political humor to radio. Fred introduced his classic "Allen’s Alley" segment December 13, 1942.

The Red Skelton Show came to NBC on October 7, 1941 after years as a mainstay on Cincinnati's powerhouse station WLW. Red scored with radio audiences as Junior, "the mean widdle kid," a character he originated in vaudeville. Some of his other memorable characters included Deadeye, J. Newton Numbskull, Willie Lump-Lump, Bolivar Shagnasty and Clem Kadiddlehopper.

The Six Shooter aired started movie star James Stewart rode the radio range from September 20, 1953 through June 24, 1954 as Britt Ponset, "the Texas plainsman who wandered through the western territories, leaving behind a trail of still-remembered legends."

Have Gun, Will Travel debuted on television on September 14, 1957 and moved to radio November 23, 1958. The program was an oddity, a western that began on television and moved to radio, featuring an ethical anti-hero whose mysterious origins were left untold until the fifth and final TV season.

Film star William Gargan came to the NBC airwaves in 1951 as the star of Barrie Crane, Confidential Investigator, a reworking of his earlier Mutual radio series (and NBC television program) Martin Kane, Private Investigator. When the producers of the earlier program objected to the many similarities between the two series, changes were made in Gargan's new series, which was quickly retitled Barrie Craig, Confidential Investigator. The series aired on NBC from October 3, 1951 through June 30, 1955.

Dangerous Assignment premiered over the NBC airwaves on February 6, 1950 and starred Brian Donlevy as Steve Mitchell, globe-trotting government troubleshooter. Dangerous Assignment was later revived as a 1953 syndicated series starring Lloyd Burrell.

First broadcast on December 4, 1957, Exploring Tomorrow brought funny, strange and chilling tales to science fiction fans across the country. Adventures in space exploration, aliens, and time travel thrilled listeners on the Mutual Broadcasting System. While the stories and their settings are unusual, the themes are familiar: jealousy, crime and punishment, the pursuit of happiness, politics and war. As with all good science fiction, the fanciful and frightening worlds of an imagined future or an alternate present bring you face to face with the real feelings, choices, beliefs and needs of human beings as we are now.

Nero Wolfe solved crimes with an attention to detail that rivaled the great Sherlock Holmes, although the overweight detective physically resembled Holmes' obese older brother Mycroft. The adventures of Rex Stouts's "gargantuan gourmet" first came to radio over the New England Network beginning April 7, 1943. The series moved onto the Blue Network on July 5, 1943 starring Santos Ortega and later Luis Van Rooten.

Murder By Experts

Dark Fantasy originated from the Oklahoma City studios of WKY and ran from November 14, 1941 through June 19, 1942. The final 25 episodes of the series were aired on a sustaining basis over the NBC network.

This series is one of a few modern series featured by Radio Classics. A creation of writer Jim French, Harry Nile first came to radio in 1976 and continued to be adapted into the late '90s as part of the "Imagination Theatre" productions. Harry Nile, a former Chicago cop turned private detective, was played by Phil Harper for more than 20 years.

Glen Langan starred as the lead character Barton Drake in this detective series that aired on Mutual Radio from 1947 to 1948. Drake is an author and amateur crime solver fascinated by the minds of criminals. This series is full of good ole "whodunnit" storylines.

Leslie Charteris' famous character first came to radio on January 6, 1945 with Edgar Barrier heard as the debonair Simon Templar. The "Robin Hood of modern crime" returned to the airwaves on July 9, 1947 with Vincent Price in the title role in a short-lived CBS summer series. Price returned to the role in 1949 over Mutual and became radio's most remembered Simon Templar.

FBI in Peace and War

Chester Lauck and Norris Goff were first heard as Lum and Abner on a radio fundraiser for flood victims. Improvising the spot, they went on the air as the "fellers from the hills" and won a regular spot on KTHS beginning April 26, 1931. Lum and Abner moved into an NBC summer berth July 27, 1931 and aired nationally from May 22, 1933 through May 7, 1954.

The Family Theater radio series, which featured hundreds of famous actors, was broadcast on the Mutual Broadcasting System from 1947 to 1969, making it one of the longest running weekly dramatic radio programs in history.

The husband-and-wife vaudeville team of Jim and Marian Jordan began their radio careers in Peoria on a bet from Jim’s brother. The Jordans were heard as The O’Henry Twins and The Air Scouts before Don Quinn created Smackout in 1931. Quinn revamped the show as Fibber McGee and Molly in 1935 when Johnson’s Wax signed on as sponsor.

This anthology series dramatized the stories of fiction author Damon Runyon and aired in various forms from the late 1940s to the mid 1950s. John Brown starred as "Broadway," a fluent "Brooklynese" speaker who spun tales of old Manhattan.

Marie Wilson created and starred as Irma Peterson, a loopy but lovable secretary. Irma's best friend and roommate was Jane Stacy, played by Cathy Lewis. The sitcom aired from April 11, 1947 - August 23, 1954.

This NBC sitcom ran as a summer replacement series for the Bob Hope Show in 1951. Higgins, portrayed by Harry McNaughton, is an English butler who must adjust to life in America with the Roberts family after the death of his British charge, and the Roberts' distant uncle, Sir Robertson.

Baby Snooks was born at a Detroit party when Fanny Brice, then performing burlesque, sang "Poor Pauline" in a little-girl voice, and was revived for her first radio broadcasts in the '30s. Frank Morgan and Alan Reed served as Snooks’ foils on early broadcasts before Hanley Stafford became radio’s longest-running "Daddy." The Baby Snooks Show aired from September 17, 1944 through May 29, 1951, with Stafford delivering a moving eulogy on the final show following Brice’s death from a cerebral hemorrhage.

Jimmy Durante Show

The Great Gildersleeve featured one of radio’s greatest casts of comedic players. The Great Gildersleeve aired until March 21, 1957, with Willard Waterman taking over the title role for the final seven radio season and three television seasons.

This CBS series adapted stories penned by Norman Corwin to radio.

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