RadioClassics

The Screen Director's Playhouse featured adaptations of famous movies and called upon the screen directors to introduce and highlight their work. After each show, the director and stars gathered around the microphones to reminisce about the actual making of the film.

Bud Abbott and Lou Costello made their radio debut on CBS’ The Kate Smith Show as replacements for Hollywood-bound Henny Youngman. The former burlesque comics reintroduced and preserved the classic comedy sketches of vaudeville in their films and radio and television series. The Abbott and Costello Show debuted as a 1940 summer replacement for Fred Allen and later aired from October 8, 1942 through June 29, 1949.

This excellent Western series, created by Antony Ellis, aired for several months on CBS in 1958. John Dehner starred as British reporter J.B. Kendall, who traveled the Wild West in search of stories of adventure. Versatile radio stars like Virginia Gregg, Jospeh Kearns, Stacy Harris and more were featured throughout.

Hopalong Cassidy's millions of fans got a New Year's Day present in 1950 when William Boyd brought the famous Bar-20 Ranch onto the Mutual radio range. In 1950, Clarence Mulford's classic cowboy was heard on 152 radio stations, seen on 63 television outlets and appeared as a comic strip in 155 newspapers.

Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent... One of the most popular police dramas in the history of broadcasting, Dragnet aired on NBC Radio from June 10, 1949 through February 7, 1957 and on television from 1952-59 and 1967-72. Dragnet introduced a new era of documentary-style realism.

Based on the popular characters created by Sir Arthur Conan Doyle, The Adventures of Sherlock Holmes began on coast-to-coast CBS radio in 1930. By the late 1930s The Adventures of Sherlock Holmes had moved to the Mutual Broadcasting Network and the series was forced to rely on invented new adventures, having run out of Doyle stories to adapt.

Richard Diamond, Private Detective premiered over the NBC network on April 24, 1949 and ran through 1952 starring Dick Powell as "radio's singing detective." Powell had first achieved movie stardom as a baby-faced crooner, and later matured to hardboiled roles, including Raymond Chandler's Philip Marlowe in the 1944 film Murder My Sweet.

X-Minus One premiered on April 24, 195 and was a revival of Dimension X, NBC's earlier science fiction anthology series. X-Minus One ran until January 9, 1958 and was rerun during the 1970s as part of NBC's Omnibus series.

Gangbusters first came to radio under the title G-Men beginning July 20, 1935. The long-running series was created by Philip H. Lord and produced "in cooperation with police and federal law enforcement departments throughout the U.S. Gangbusters was one of radio's longest-running dramatic series, running from January 15, 1936 through November 27, 1957, and its classic opening gave rise to the expression "coming on like gangbusters."

Suspense debuted on June 17, 1942 as a sustaining summer replacement, returned that fall and continued in the CBS lineup September 30, 1962. "Radio's outstanding theatre of thrills" is recognized as one of the finest dramatic series in the history of broadcasting.

The Lux Radio Theatre was one of radio's most popular series attracting Hollywood's top stars and boasting a lavish budget. The Lux Radio Theatre began in 1934 featuring dramas from Broadway, but there was not enough material to support the show. In an attempt to reverse the slipping ratings, the show was moved to Hollywood in 1936, where there was plenty of material and talent.

Longtime Hollywood character actor J. Carrol Naish became a radio star in his own right after nearly two decades toiling in the background in such films as Beau Geste, House of Frankenstein and the Batman movie serial. The native New Yorker of Irish descent finally won fame as "the little Italian immigrant" who each week wrote of his American adventures to his mama in Italy. Life with Luigi aired from September 21, 1948 through March 3, 1953 on radio, and the radio cast briefly did double duty in a short-lived 1952 television version.

Broadway Is My Beat debuted over CBS on February 27, 1949 and continued through August 1, 1954. Anthony Ross starred as Clover during the first two seasons, with Thor taking over the role on July 3, 1950. Homicide detective Clover pounded the Broadway beat for five years in one of radio's last great detective series.

This series is one of a few modern series featured by Radio Classics. A creation of writer Jim French, Harry Nile first came to radio in 1976 and continued to be adapted into the late '90s as part of the "Imagination Theatre" productions. Harry Nile, a former Chicago cop turned private detective, was played by Phil Harper for more than 20 years.

Murder Clinic

Lights Out debuted January 1, 1934 over Chicago’s WENR and moved onto the NBC airwaves beginning April 17, 1935. Radio’s premier horror series was created by writer/ director Wyllis Cooper. Cooper was succeeded by Arch Oboler, one of radio’s greatest dramatic talents.

Boston Blackie was created by Jack Boyle, a hard-drinking opium addict who served three prison terms. While in prison, Boyle began writing true-crime confession stories that were published in The American Magazine under the byline 6006, his convict number. Boyle's stories were collected in his 1919 book, Boston Blackie, and inspired a popular series of B-films, the radio series and a 1951 video version.

Michael Waring was a freelance detective who was also known as the Falcon. Waring's detective techniques were a cross between Ellery Queen and Richard Diamond. He had a certain eye for detail but was frequently on the outs with the police.

The Life of Riley featured the comic misadventures of riveter Chester A. Riley. Riley was a devoted family man with a talent for flying off the handle and a penchant for being worse. Movie star William Bendix played the title role of the lovable hardhat throughout the series.

For more than 20 years, Jack Benny reigned as the king of radio comedy. His show ran on nearly every network from 1932 to the mid 1950s. How he turned a miserable, self-absorbed cheapskate into a beloved icon ranks among the great achievements in entertainment history. Benny revolutionized the way humor was played on radio by introducing the situation comedy and by giving most of the best lines to his supporting cast.

Nero Wolfe solved crimes with an attention to detail that rivaled the great Sherlock Holmes, although the overweight detective physically resembled Holmes' obese older brother Mycroft. The adventures of Rex Stouts's "gargantuan gourmet" first came to radio over the New England Network beginning April 7, 1943. The series moved onto the Blue Network on July 5, 1943 starring Santos Ortega and later Luis Van Rooten.

Tales of the Texas Rangers was broadcast over NBC from July 8 1950 through September 14, 1952 and was later revived on television. Western film star Joel McCrea portrayed Ranger Jace Pearson in NBC's Tales of the Texas Rangers.

Radio’s greatest adult western told the story of Matt Dillon, U.S. Marshal, "the first man they look for and the last they want to meet." Gunsmoke grew out of a request from CBS founder William Paley for a "Philip Marlowe in the Old West," and featured grimly realistic stories set in the vicinity of Dodge City, the "Gommorrah of the West," with William Conrad as Dillon.

Millions of radio listeners visited Duffy's Tavern each week, but Duffy himself was nowhere to be found. Although he dutifully phoned Archie the manager each week, he never once dropped by. Duffy's Tavern first opened its doors to radio listeners on the CBS audition series Forecast on July 29, 1940, and then opened for regular business on March 1, 1941.

Frank Race is an attorney whose life is filled with intrigue following the war. The adventure series aired from 1949 to 1950. Starring Tom Collins and then Paul Dobov.

This film star-centric variety revue aired in various forms on various networks from '39 - '52. It drew the biggest celebrities in Hollywood with its charity slant - appearance fees that normally would go to performers went to support housing for aging film stars. Stunts, songs, and film adaptations were all a part of this popular series' material.

Inner Sanctum's sinister host welcomed listeners "through the squeaking door to another night of horror." The show’s "squeaking door" was one of radio’s most-remembered openings and was inspired by the creaking hinges on a sound effects door at the radio studio.

Dark, supernatural forces lurk around every corner in the Hall of Fantasy. The frightening mystery serires aired first for a short time in 1946 on a Salt Lake City station, featuring voices by Richard Thorne and Carl Greyson and stories written/adapted by Robert Olson. A few years after the team parted ways, the series was reimagined on WGN in Chicago when Greyson and Thorne found themselves working together again, with Thorne doing most of the writing and adapting.

The Family Theater radio series, which featured hundreds of famous actors, was broadcast on the Mutual Broadcasting System from 1947 to 1969, making it one of the longest running weekly dramatic radio programs in history.

The husband-and-wife vaudeville team of Jim and Marian Jordan began their radio careers in Peoria on a bet from Jim’s brother. The Jordans were heard as The O’Henry Twins and The Air Scouts before Don Quinn created Smackout in 1931. Quinn revamped the show as Fibber McGee and Molly in 1935 when Johnson’s Wax signed on as sponsor.

Eve Arden portrays Miss Connie Brooks, an overworked and underpaid teacher of 10th grade English at Madison High School. Our Miss Brooks called her radio classroom to order beginning July 19, 1948. The final bell rang for Our Miss Brooks on July 7, 1957.

My Favorite Husband told the story of George and Liz Cooper, "two people who live together and like it." The radio series was based on Isabel Rorick's novel Mr. And Mrs. Cugat. The show's audition broadcast featured Lucille Ball and Lee Bowman as her husband.

Radio Spirits' nationally syndicated radio program hosted by old-time radio expert Greg Bell

The Mysterious Traveler was one of radio's greatest omniscient storytellers, introducing tales of mystery, science fiction and horror from the typewriters of writers/producers Robert A. Arthur and David Kogan. The Mysterious Traveler rode the Mutual rails from December 5, 1943 through September 23, 1952.

Yours Truly, Johnny Dollar told the story of the freelance insurance investigator with the "action-packed expense account." Radio’s last great detective series, Yours Truly, Johnny Dollar ended its run September 30, 1962 during the final week of network radio drama.

Let George Do It, stars Bob Bailey, who plays George Valentine who was a detective whose cases came from the newspaper.

This historical drama told tales of early Southern California in "the days of the dons". Stories were based on records from Title Insurance, the show's sponsor. History was made as land changed hands and purposes, causing listeners to think twice about the stories behind their own West Coast land the in mid-1940s.

This 1947 NBC crime series dramatized literary mysteries and suspenseful classics, starring Peter Lorre. Mystery in the Air was a summer replacement series for Abbott & Costello. Lorre was often supported by Hollywood greats like Agnes Moorehead and Peggy Webber. NBC aired a similar series with by same name in 1945.

This horror series consisted mostly of adapted supernatural tales from greats like Edgar Allen Poe and Robert Louis Stevenson. It aired for two seasons from 1943-1945, first on Mutual and then on NBC's Red network.

The Cavalcade of America was a historical dramatic anthology and aired from 1935 to 1953. Patriotic in nature, this series was created in part to improve the name of sponsor DuPont Chemical, which received backlash for profiting enormously from War World I. The show's themes were never voilent, but rather idealistic. Stories included the voyage of the Mayflower, the first telegraph, and Eli Whitney's cotton gin.

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This supernatural fantasy series aired on the Mutual Broadcasting System from 1944-1945. The 15-minute show can be considered a lite version of "Mysterious Traveler," as it also starred Maurice Tarplin and shared a writer.

Defense Attorney

Phillips H. Lord, creator of Gang Busters, worked with creator/writer/director Ed Byron to develop this series, which is inspired by the early years of New York Governor Thomas E. Dewey. It aired on NBC and ABC from April 3, 1939 to June 13, 1952. The nameless title role was played by several actors throughout the run: Raymond Edward Johnson, Jay Jostyn, and David Brian. A key figure in the show was the D.A.'s secretary, Edith Miller (played by Vicki Vola).

Academy Award Theater was a half-hour dramatic anthology series presenting radio adaptations of movies that had been nominated for or had won Academy Awards. While the show was a success with critics and audiences alike, it went off the air after only nine months and 39 episodes.

The Six Shooter aired started movie star James Stewart rode the radio range from September 20, 1953 through June 24, 1954 as Britt Ponset, "the Texas plainsman who wandered through the western territories, leaving behind a trail of still-remembered legends."

Have Gun, Will Travel debuted on television on September 14, 1957 and moved to radio November 23, 1958. The program was an oddity, a western that began on television and moved to radio, featuring an ethical anti-hero whose mysterious origins were left untold until the fifth and final TV season.

Specially transcribed tales of the dark and tragic ground of the wild frontier. The saga of fighting men who rode the rim of empire and the dramatic story of Lee Quince, Captain of Cavalry. Premiering in January 1956, Raymond Burr starred as Captain Quince-a soldier who followed orders and a leader who lived by his own rules of fairness and honesty.

Phillip Marlowe

Rogue's Gallery came to the Mutual network on September 27, 1945 with Dick Powell portraying Richard Rogue, a private detective who invariably ended up getting knocked out each week and spending his dream time in acerbic conversation with his subconscious self Eugor (Rogue spelled backwards). The series was revived as a 1947 summer season with Barry Sullivan in the lead and returned in 1950 for two sustaining seasons starring Chester Morris, the original Boston Blackie.

This police drama aired for 6 months in 1951 on ABC. Dan Duryea starred as tough cop Lou Dana with Bill Bouchey as Inspector Sherman and Lawrence Dobkin as Dave the Sergeant. Written by Dick Powell.

These frightening 15-minute tales always ended with a - you guessed it - unexpected twist. Barry Sullivan, Virginia Gregg, and Lurene Tuttle appeared in this syndicated series in 1948.

Jack "Flashgun" Casey was first introduced in the March 1934 issue of Black Mask, the classic pulp fiction magazine. Created by pulp wordsmith George Harmon Coxe, Casey appeared in dozens of stories in Black Mask, which were later collected into six books. Flashgun Casey came to radio as a CBS sustaining series on July 7, 1943. The series was renamed Casey, Press Photographer in 1944 and became Casey, Crime Photographer on September 12, 1945.

This NBC thriller ran for about a year from the spring of 1952 to the summer of 1953. Each unique story entails suspense, action and, of course, a protagonist on the run. The series often featured guest stars who were announcers or actors for other suspenseful series, and many of the scripts were also used in other dramas like The Clock and Inner Sanctum Mysteries.

This police procedural series was syndicated on NBC stations in 1932. It features quarter-hour stories typically based on true crimes.

George and Gracie first performed on air over the BBC while touring England after an NBC executive rejected their act insisting that "Gracie’s voice is unfit for radio." Burns and Allen won a regular spot on The Robert Burns Panatella Program February 22, 1932 and moved into the top spot when Guy Lombardo left the series. The Burns and Allen Show aired through May 17, 1950 on radio and for another decade on television. Jack Benny and George Burns were best friends in real life and often were guests on each other’s programs.

Dashiell Hammett's Sam Spade walked out of the pages of Black Mask and into his own CBS radio series of July 12, 1946. Howard Duff starred as the hardboiled detective for the first three seasons. Lurene Tuttle was Sam's secretary Effie Perrine and Jerry Hausner was his lawyer Sid Weiss. CBS dropped the series in 1950 when Hammett ran afoul of Congress' Un-American Activities investigators, but the show was quickly revived by NBC.

Pete Kelly's Blues

Pat Novak for Hire was broadcast from San Francisco and debuted in 1946 as an ABC Sunday night West Coast series. Ben Murphy starred as the hard-boiled Novak during the West Coast run, but Jack Webb made the role his own when series was revived on February 13, 1949 over the entire ABC national network.

Frank Lovejoy is heard as Randy "Lucky" Stone, a hardboiled reporter who covers the "nightbeat" for the Chicago Star. Randy Stone wandered the back alleys and bars of Chicago, searching for both crime and human-interest stories. Nightbeat premiered on February 6, 1950 and ran until September 25, 1952.

The Fat Man was a detective series based on a character created by Dashiell Hammett. The show aired on ABC from 1946 to 1951. J. Scott Smart starred as Brad Runyon, a portly, powerful and witty detective.

This Is Your F.B.I. came to the Blue Network on April 6, 1945, created, produced and directed by Jerry Devine, a former child actor. Like Philips H. Lord before him, Devine got special permission from bureau head J. Edgar Hoover to dramatize older cases using fictitious names and locales. Frank Lovejoy was the program's first narrator, followed by Dean Carlton and later William Woodson.

Danny Kaye Show

The Whistler whistled its way onto the airwaves beginning May 16, 1942 and its eerie 13-note theme set the tone for West Coast radio mystery for the next decade. "I am the Whistler and I know many things, for I walk by night. I know many strange tales hidden in the hearts of men and women who have stepped into the shadows. Yes, I know the nameless terrors of which they dare not speak."

This anthology series dramatized the stories of fiction author Damon Runyon and aired in various forms from the late 1940s to the mid 1950s. John Brown starred as "Broadway," a fluent "Brooklynese" speaker who spun tales of old Manhattan.

This NBC sitcom ran as a summer replacement series for the Bob Hope Show in 1951. Higgins, portrayed by Harry McNaughton, is an English butler who must adjust to life in America with the Roberts family after the death of his British charge, and the Roberts' distant uncle, Sir Robertson.

The Phil Harris & Alice Faye Show grew out of the popular Fitch Bandwagon series. Phil Harris played himself, continuing the egotistical, smart-alec characterization he had perfected during his years as Jack Bennys' bandleader. Alice Faye, Phil's movie star wife, recreated her real-life role as a film star turn devoted housewife.

Chester Lauck and Norris Goff were first heard as Lum and Abner on a radio fundraiser for flood victims. Improvising the spot, they went on the air as the "fellers from the hills" and won a regular spot on KTHS beginning April 26, 1931. Lum and Abner moved into an NBC summer berth July 27, 1931 and aired nationally from May 22, 1933 through May 7, 1954.

The CBS Radio Workshop aired from January 27, 1956 through September 22, 1957 and was a revival of the prestigious Columbia Workshop from the 1930s and 1940s. The CBS Workshop regularly featured the works of the world’s greatest writers. including Ray Bradbury, Archibald MacLeish, William Saroyan, Lord Dunsany and Ambrose Bierce.

This frightening thriller series aired for about 10 years in various forms starting in 1943- on NBC, CBS and ABC. The show's "annotater", criminologist character Geoffrey Barnes, filled in the blanks of the stories and provided analysis for the listener.

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This sitcom aired from 1944-1949, first as a summer replacement series for Eddie Cantor's show. Then, after signing on as a regular on the Jimmy Durante show, young scored his own show with Tums as a sponsor. Today he is best known as TV's Wilbur Post, who talked with Mr. Ed the horse.

Radio's greatest series of high adventure debuted over the CBS network on July 7,1947. Escape's protagonists faced life-and-death situations each week, as the show careened from classic adventure to Western drama to science fiction. The program was broadcast as a sustainer (unsponsored) series during most of its seven-year run.

Ventriloquist Edgar Bergen developed his Charlie McCarthy character in high school. Bergen performed with the newsboy dummy while attending Northwestern University and eventually left college to tour vaudeville. With the decline of vaudeville during the Great Depression, Bergen moved into night spots like New York’s trendy Rainbow Room but feared his friend wouldn’t be appreciated by high society. So he gave Charlie a monocle and top hat and a "man about town" was born. Following a three-month guest stint on Rudy Vallee’s show, Edgar Bergen was signed as headliner of The Chase and Sanborn Hour. The series premiered May 9, 1937 and ended the next three seasons as radio’s top-rated series.

Dozens of stars made hilarious appearances on this CBS series from October '45-April '46. It was the post-war iteration of Command Performance, where soldiers abroad wrote letters suggesting celebrities and skit ideas. This time around, civilians suggested the routines (Boris Karloff acting in a comedic role, Frank Sinatra sing in the style of Bing Crosby). Phil Harris & Alice Faye appeared together for the first time on this show, which later lead them to create their own comedy show.

The Red Skelton Show came to NBC on October 7, 1941 after years as a mainstay on Cincinnati's powerhouse station WLW. Red scored with radio audiences as Junior, "the mean widdle kid," a character he originated in vaudeville. Some of his other memorable characters included Deadeye, J. Newton Numbskull, Willie Lump-Lump, Bolivar Shagnasty and Clem Kadiddlehopper.

Each episode featured the work of a different American artist, mostly musicians, across all genres. The narrator was often also a celebrity, such as Bing Crosby speaking about Louis Armstrong and jazz.

The Third Man was an adventure series starring Orson Welles as Harry Lime, the character created by author Graham Greene. It first aired on the BBC in 1951 and was then syndicated for American radio in 1952.

As a summer replacement series on NBC, this show only broadcast a handful of episodes from July to September 1951. The title character, also known as Phillip Gault, could speak only in whispers following a football injury. He's cast out of society and joins an underground crime syndicate - but after having miracle surgery that restores his voice, he becomes a double agent in hopes of destroying the syndicate from the inside. Carleton G. Young played the protagonist, alongside Betty Moran who played Gault's girlfriend and the only other person who knows about his double identity.